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when a film is made in three languages, it usually takes courage and patience to watch.

當觀看一部使用三種語言拍攝的電影時，往往需要些勇氣和耐心。
south korean director kim tae-yong’s remake of late autumn, a 1966 south korean film, is in english, chinese and korean. and it doesn’t disappoint.

這部韓國導演金泰勇執(zhí)導的《晚秋》，翻拍自韓國1966年的同名影片，使用中、英、韓三種語言拍攝。而該片果然沒令人失望。

starring chinese actress tang wei and south korean actor hyun bin, late autumn is an enchanting tale of two unlikely misfits who fall in love, against all odds.

這部中國女星湯唯和韓國影星玄彬共同主演的電影《晚秋》講述了一個引人入勝的故事：兩個看起來完全無害的不被社會接受的人如何不顧一切地陷入愛河。

director kim’s subtle, nuanced direction elicits wonderful performances from his lead actors, crafting a lyrical and captivating love story.

導演金泰勇運用細致細膩的導演手法，使得兩位主演發(fā)揮出精湛演技，演繹出一段充滿溫情且令人為之著迷的愛情故事。

the screenplay follows the original: chinese-american anna (tang) is in prison for killing her husband. she is allowed parole for 72 hours to attend her mother’s funeral in seattle. on the bus, she lends the bus fare to a south korean escort named hoon (hyun). the story between two strangers begins.

該版本劇情沿用了之前的情節(jié)：美籍華裔女子安娜（湯唯飾演）因殺害丈夫而被判入獄。后因為要前往西雅圖參加母親的葬禮，而獲得了72小時的假釋機會。在長途汽車上，安娜為來自韓國的應召男郎“勛”（玄彬飾演）墊付了車費。兩個陌生人間的故事由此開始。

the plot is similar to that of before sunrise (1995) as the couple spends a day and a half exploring the city.

該故事情節(jié)與1995年的電影《愛在黎明破曉時》頗為相似，同樣是一對戀人的城市之旅，同樣是一起度過一天半的時光。

at the major turning points of their relationship, they engage in a child-like play-acting. in one scene hoon pretends to be anna’s fiance at the funeral and provokes a punch-up with her jealous ex-lover.

當二人感情到達實質(zhì)性轉(zhuǎn)折點時，他們像孩子般地玩起了角色扮演。其中一幕發(fā)生安娜母親的葬禮上，勛假扮安娜的未婚夫，還與安娜那位大吃干醋的前男友大打出手。

apart from the light-hearted scenes, dialogue is limited. under kim’s direction, the film is surprisingly peaceful and chaste.

除了輕松場面以外，劇中的對白也十分有限。在金泰勇的執(zhí)導下，整部影片彰顯出的令人贊嘆的平靜與質(zhì)樸。

however, it is during the narrative’s silences and pauses that deeper feelings have a chance to emerge. for example there is a scene at a bus stop, in which the camera circles anna as she mills about in the mist looking for hoon. her distress and sense of loss echoes the opening shot of her staggering down the road the day she killed her husband.

而正是故事中的這些靜默與停頓，使得一種更為深邃的情感得以流露出來。比如在長途汽車站的一幕，當安娜在迷霧中漫無目的地找尋著勛的時候，鏡頭圍繞著她的一舉一動。她的那份痛苦和失落感也呼應了影片開始時她殺死丈夫那天，踉踉蹌蹌走在街上的那一幕。

in late autumn, tang replays her sullen, repressed character in crossing hennessy, and hyun’s performance is impressive╟for not underplaying the dandy, narcissistic side of his personality.

在《晚秋》中，湯唯延續(xù)了自己在《月滿軒尼詩》中沉悶壓抑的人物性格。而玄彬的表演同樣令人印象深刻，他將勛這個人物身上那種花花公子而又自戀的性格表演得淋漓盡致。

last but not least, there is the third main role in the film╟the city of seattle, which appears beautiful and romantic, yet foggy and drab, with hardly any color or smell of autumn.

最后要值得一提的是，該劇中還有一個主要角色，那就是西雅圖，這個看上去充滿美麗和浪漫，卻又朦朧且單調(diào)的城市，幾乎找不到秋天的色彩和氣息。

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